A recent Aquarium Drunkard feature reexamines the Jamaican saxophonist’s spiritual and musical fusion, recorded in 1974 and steeped in Rastafari mysticism.
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A recent Aquarium Drunkard feature reexamines the Jamaican saxophonist’s spiritual and musical fusion, recorded in 1974 and steeped in Rastafari mysticism.
The Guatemalan musician returns with a record that deepens his inquiry into Maya identity, threading ancient tradition through the everyday pulse of barrio sound.
A single live recording captured in London in the summer of 1975 did more than break Bob Marley into the UK charts. It permanently shifted how the world heard him.
