Mick Jagger sought assurance from producer Andrew Watt that Paul McCartney was the right fit for a fast, overdriven track. McCartney nailed it in ten minutes.
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Mick Jagger sought assurance from producer Andrew Watt that Paul McCartney was the right fit for a fast, overdriven track. McCartney nailed it in ten minutes.
The KISS bassist pushes back on demands for political disclosure, restating a boundary that many artists have abandoned.
On the new single, the band’s frontman sidesteps fame and metrics, staking everything on the urgency of making things instead.
Olli Appleyard’s solo project Love Spells unveils the closing track from a forthcoming debut album on RCA Records, while his band Static Dress releases ‘Injury Episode’.
Pop-up events will take place the evening before each performance, giving local fans a dedicated space to connect ahead of the concerts.
After a long rehabilitation, Jon Bon Jovi says his voice is back and he is ready for Bon Jovi’s upcoming Forever tour—but the road ahead will still be missing a founding member.
Geoff Guy returned a found credit card to the rock musician and received a signed copy of *The Revenge of Alice Cooper* just before the European tour began.
The Long Beach artist’s latest project uses rock frameworks to dissect Black identity and institutional racism, with production that nods to post-punk, garage pop, and Bad Brains.
At 83, McCartney continues to choose his promo moments carefully. His stop at Chicken Shop Date, on the day of The Boys Of Dungeon Lane’s release, shows an instinct for deadpan that feels genuinely rooted in Beatles history.
The band played four of their biggest songs at the Puskás Aréna, backed by dancers styled as classic Las Vegas showgirls.
