The British musician behind “Always Something There to Remind Me” and “Promises, Promises” helped shape early ’80s synth-pop and crossed paths with Tears for Fears before his own duo reached the charts.
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The British musician behind “Always Something There to Remind Me” and “Promises, Promises” helped shape early ’80s synth-pop and crossed paths with Tears for Fears before his own duo reached the charts.
Chris Stewart returns to Black Marble with sharper hooks and a direct question about artistic longevity — his own included.
Neil Tennant’s religious education collided with cutting-edge gear in a Camden demo studio, producing a song that still resonates four decades later.
After the death of Dave Ball, the duo’s last record arrives as a deliberate farewell—no eulogy, just a love letter to the New York that made them.
The LA retro-pop artist returns with a track about control and devotion, co-written with Justin Tranter and Tommy English, from her forthcoming RCA EP.
The Let’s Eat Grandma co-founder releases her debut solo album, a record that swaps reflection for punchy, wide-eyed immediacy.
Vince Clarke, Neil Arthur, and Benge recorded a full album of reinterpretations without ever sharing a room. The self-titled record is out this month.
A new YouTube video finds the artist revisiting the Roland instrument he calls “the king of synths,” sharing stories and sounds from a machine he’s owned for more than four decades.
The serendipitous Minimoog setting that derailed a punk session continues to shape electronic music.
The Brooklyn synth-pop trio recast a Springsteen deep cut in their own image, trading heartland rock for cold, clean electronics.
