The Ghanaian-Australian artist pulls no punches on a 15-track project built inside a converted church in South Wales, using a mix of neo-soul, synth-punk, and Brit-rock to confront political decay.
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The Ghanaian-Australian artist pulls no punches on a 15-track project built inside a converted church in South Wales, using a mix of neo-soul, synth-punk, and Brit-rock to confront political decay.
