The ambient duo’s second collaborative release of the year shifts from their own sonic freedom to the structured frame of a life story.
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The ambient duo’s second collaborative release of the year shifts from their own sonic freedom to the structured frame of a life story.
Channel One Soundsystem’s Mikey Dread talks through the origins of Notting Hill Carnival, the discipline of one-turntable roots reggae, and why the event remains a cross-cultural meeting point.
Disney’s new Ultra HD editions of two Robin Williams films highlight the unusual range of a performer who moved between Oscar-nominated drama and broad comedy without losing precision.
Solid State Logic follows its SSL 2 and SSL 2+ with a smaller desktop interface built for producers who record in the box and need a direct signal path.
After two decades of meditation recordings from New York, the Inner Splendor founder treats mantra as a clock of attention, moving from private invocation to communal kirtan and back into stillness.
The director of “…Baby One More Time” says the concept that defined Britney’s debut was hers, not his—and that he didn’t see superstardom coming.
The Newport artist returns with a sophisti-pop single about the hollow certainty of a failing relationship, ahead of a radio-concept mixtape due in September.
On Trickster, MonDeGos build a debut from heavy guitars, piano, and recycled masks. The record is restless, sometimes crowded, and more interesting when it stops explaining itself.
After nearly two decades at Studio 4, the producer behind Turnstile, Title Fight and Circa Survive has built a four-room facility shaped by a key lesson from Rick Rubin: a great recording space is a house wired to sound incredible.
The Hackney producer’s first single, with blackbird on vocals, gives an on-and-off affair the heat of summer and the grey of morning.
