The singer says a shared StopAntisemitism post was not a personal statement, while defending her concerns about Macklemore’s onstage comments.
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The singer says a shared StopAntisemitism post was not a personal statement, while defending her concerns about Macklemore’s onstage comments.
The Brooklyn trio sharpens its balance of heavy riffs and melodic hooks on a fourth planet-titled album, with Dan Friel’s Parts & Labor lineage adding context.
Four new “Welcome to Our Nightmare” shows at Planet Hollywood follow the sold-out spring run, with Nita Strauss back on guitar after maternity leave.
The Belgian-Japanese duo’s new single moves inward, sung entirely in Japanese and built on motorik rhythms and guest drums from Lander Gyselinck.
The Melbourne artist’s fourth single begins as private typing and becomes a mid-tempo rock ballad carried by Queenie’s voice. The structure has the shape of a drop-in.
The Kent-based songwriter sets warm, unfussy acoustics against a lyric about moving past fear. Her influences sit close to the surface, but the recording keeps a raw, live feel.
After illness, the Houston singer treats desire as proof of life. The single keeps the lights low and the groove slightly imperfect.
After taping Jimmy Kimmel Live!, McPherson thanked the show’s staff and added “a nice big huge free palestine,” a message made pointed by Gadot’s public support for Israel.
A Facebook line that would not sit still becomes the extra song TaniA Kyllikki and Rynellton never planned to write. HUMAN asks a public question from a private room.
The ceremony moves to St George’s Hall on October 28, with performances from KOJ, Roukaya B, Cherry Seraph and others, alongside paid behind-the-scenes roles for emerging creatives.
