The Mexicali artist and former R2 member extends his exploration of fractured, textural electronic composition with a third release for the label.
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The Mexicali artist and former R2 member extends his exploration of fractured, textural electronic composition with a third release for the label.
At La Défense Arena, Dion moved through 26 songs across her French and English catalogs, including three live debuts and a visibly emotional opening.
The Amsterdam-based group pairs a nearly eight-minute version of the Black Sea folk song with the start of its North American tour, tracing a line from Neşe Karaböcek to Todd Terje and back to the source.
The singer-songwriter follows a viral psychedelic turn with an album that pairs clawhammer banjo, psych-rock, honky-tonk, and pop country without losing its rural pulse.
Built from analog tape loops kept from the Arrival and The Theory of Everything sessions, the album is an elegy approved by Jóhannsson’s family.
The Berlin duo strip club-oriented electronics to their essentials on a 12-track record out January 22nd, with contributions from Siriusmo, Tommy Cash, Miss Platnum and others.
Produced by John Parish, the trio’s first single ‘Northern Light’ introduces a record shaped by prepared guitar, saxophone and percussion.
The singer’s first album for 4AD gets an early airing in five countries through a series of collage-making events with very limited capacity.
Elisabeth Esselink turned the stock of a tiny Amsterdam secondhand shop into a distinct sample-collage language. The method still explains why Solex sounds unlike most late-’90s experimental pop.
Jenny Lewis, Erika Spring, and Tennessee Thomas will take the band back on the road with eight dates from Pasadena to Brooklyn.
