The Chicago designer reflects on a career that has bridged hip-hop and hardcore, with a turn toward tangible, AI-informed art objects.
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The Chicago designer reflects on a career that has bridged hip-hop and hardcore, with a turn toward tangible, AI-informed art objects.
The Atlanta rapper preps a quick-turn release following a mixed reception for his last LP, road-testing new material at festivals this spring.
The band cancels its scheduled performance at the French festival after an accident, halting its planned run through Sepultura’s Chaos AD.
The Bleeding Through vocalist explains why heavy records—and one Hatebreed classic—are still built for the weight room.
The Joshua Tree band’s latest record digs into Gnostic myth and family trauma, and a June run of independent venues will bring it from the drylands to the coast.
Headlining the Ohio festival’s opening night, the Brooklyn band played with a looseness that felt like a single mind operating multiple instruments — a live force that refuses to replicate its records.
Questlove’s new film on Maurice White’s band shows how two towering groups from the same city ran strikingly similar routes, from jazz roots to Caribou Ranch to mid-’70s dominance.
In 1999, Ricky Martin’s crossover smash became the first all-digital number one single—built on unstable software and a deliberately dry mix that broke with Latin pop convention.
The concert giant’s new bundle offers four lawn tickets for the price of one, covering hundreds of shows across the U.S. this summer.
Frontman Fernando Ribeiro describes a deliberate turn toward internal darkness and self-acceptance, hinting at a break from past theatricality.
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