A diverse set of co-signs—from AJ Tracey to Bonehead—frames the arrival of a single that refuses genre loyalty.
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A diverse set of co-signs—from AJ Tracey to Bonehead—frames the arrival of a single that refuses genre loyalty.
During a podcast appearance, the Journey keyboardist and conservative advocate said Springsteen should keep his political views off the stage, while defending his own right to hold them. Both men are 76.
The London artist’s new single, recorded in a quick-fire session with Dan Carey, arrives with a self-directed video that mixes shoplifting and parkour on the streets of Brighton.
Frankie Beanie launches his new project by rejecting LA’s “vibes-based” culture, drawing on his Liverpool years to craft something that puts the music first.
Six sold-out nights, a 90,000-strong crowd, and a Silk Sonic reunion brought out a showman balancing spectacle with close-quarters charm.
Written after anti-EDL protests in Newcastle, the track pairs Cooper Robson’s spoken word with Stan Woodward’s bass line, aiming for unity in a fractured moment.
During a residency at IRCAM, the ensemble found itself between a space of innovation and striking workers outside. Their album doesn’t romanticize struggle — it lets field recordings, strings, and fragmented poetry hold the tension.
The Beirut composer’s new track reimagines a quiet Japanese recording myth and turns it into something lived, restrained, and deeply present.
The first-ever World Cup final halftime show packed Madonna, BTS, Shakira, a Muppet orchestra, and a seven-nation symphony into a breakneck segment that was as uneven as it was historic.
The live document of a sold-out stadium show arrives a day ahead of schedule, accompanied by an online event for fans.
