The London band’s first cassette combines monolithic noise rock with sleeve art that pairs a child’s birthday aesthetic against hardcore porn imagery.
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The London band’s first cassette combines monolithic noise rock with sleeve art that pairs a child’s birthday aesthetic against hardcore porn imagery.
Ahead of Jonathan Anderson’s first Cruise collection for Dior, a black-and-white short starring Alison Oliver sets the tone for tonight’s Los Angeles presentation.
The frontman recently addressed a long-misunderstood lyric sheet, pointing to the burnout of the OK Computer tour as the true source of the track.
Both artists issue fourth LPs within a week of each other, drawing from folk tradition and a deepening connection to the human voice.
The four-track project chronicles the end of a decade-long relationship with a sharp pop producer at the helm.
The British-Chinese duo return with a full-length that draws on their live evolution, anchored by new single ‘Bleeding Gold’.
The longtime Warp act pares everything back on a new full-length that follows two 2024 mini-albums.
At their first full show since 2016, Jemaine Clement and Bret McKenzie brought their deadpan musical comedy back to Los Angeles, flubs and all.
The Missouri singer secured the win with two original songs and a bluegrass reinterpretation of an Alicia Keys hit.
The live album, recorded with New York jazz quartet Sexmob, reshapes familiar material around narrative arcs that give it the feel of a full performance rather than a collection of songs.
