The Japanese artist, also known as Yaporigami, returns with *IDM Collection 21-25 / The Structure of Silence* and a long-form essay, tracing a path from architecture studies to beat-driven introspection.
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The Japanese artist, also known as Yaporigami, returns with *IDM Collection 21-25 / The Structure of Silence* and a long-form essay, tracing a path from architecture studies to beat-driven introspection.
Japanese composer Kazuya Nagawa transforms family history into a serene yet weighty album that imagines his parents’ souls reunited along the river they once called home.
The Canadian band is on a U.S. tour marking three decades since Naveed, but frontman Raine Maida is less interested in where they’ve been than in a 25-year-old prediction about artificial consciousness.
Stranded and out of favor, John Lydon found a route back through a hip-hop lifeline and a producer willing to rebuild his sound. The resulting single, rooted in apartheid and interrogation manuals, reset his trajectory.
A UMG warehouse mix-up turned an unreleased Aaron Lewis CD booklet into packing material for a Swiftie’s Toy Story 5 merch, sparking online reactions and a pointed response from the Staind frontman.
On their third album, Motihari Brigade let music and songwriting work together. Steady grooves and deliberate repetition carry the weight of the record more than dramatic gestures.
Steve Von Till recalls the live-tracking philosophy Steve Albini brought to the band’s 1998 sessions — a method that trusted performance over perfection.
In a brief statement, Anthrax’s Jonathan Donais singled out the late Pantera guitarist as the player who had it all, adding another note to Dimebag’s long legacy in heavy metal.
Lambert’s latest arrives October 2, following a string of collaborative high points and a quiet reconciliation with Kacey Musgraves.
A year after her fourth album’s release, Lorde shares 49 demos and a candid essay, while hinting at a new platform that could shift how we own music.
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