11:68PM Strips Back to Source Code on ‘CS002’
The second release on Craft Services pulls back from the debut’s polish to reveal the raw components underneath.
News & Premieres Editor
The second release on Craft Services pulls back from the debut’s polish to reveal the raw components underneath.
After a long stretch away from the studio, the Providence-via-New York punk band returns with a record that sharpens its mix of hardcore, Latin groove, and revolutionary intent, anchored by Guy Picciotto’s production.
Brady Ebert, former guitarist for Turnstile, will stand trial beginning October 5th in Rockville, Maryland, for the alleged vehicular assault of the band’s singer’s father.
The guitarist’s tribute traces a career shaped by a record man who trusted him early, and trusted him again when it counted most.
The German retail giant is challenging a default judgment Fender is using to target S-style guitars, arguing the dispute affects industrywide diversity and innovation.
The nonprofit Music in Exile brought six musicians from Australia, Senegal, and Burkina Faso to a studio on Hydra. The resulting album cuts a direct path between West African folk traditions and sharp, present-tense jazz.
Stage & Radio hosts a free party exploring football’s resonance beyond the pitch, with sets from Dr Dubplate, Mixtress, and local selectors.
A decade after its release, the deliberate violence and sudden gentleness of Jon Hopkins’ Immunity remain a masterclass in electronic production and emotional sequencing.
The former Enhypen member begins reintroducing himself on his own terms with a two-track project shaped by rock and a push for unfiltered expression.
You Seem Pretty Sad for a Girl So in Love debuts with 485,000 units, topping Drake and securing the year's largest sales frame for a solo artist.