Editor
The Iranian sound artist’s new four-part electroacoustic work preserves the discipline of earlier metaphysical albums but turns its focus to crimes against humanity.
Craig Richards' Norfolk gathering returned with long sets, little phone signal, and a weekend where a DJ's set could shift completely depending on when and where it happened.
The Rio date adds a stadium stop to the bands’ early 2027 reunion run and gives Faith No More its first live appearance since 2016.
After years away from major streaming platforms, the 2009 album returns via Qobuz and a new physical edition through Rhymesayers Entertainment.
The Belgian band’s latest album finds them pulling black metal and post-punk into the same room, with atmosphere remaining the only constant across their shifting forms.
With THIS & THAT, the K-pop group posts their biggest U.S. sales week yet and equals the Rolling Stones for second-most No. 1 albums among groups.
The Nashville and Heroes actress, whose six-season run on a country music drama made her a fixture of music television, has died.
The debut from Acid Brain moves through prog, sludge, stoner rock, and free improvisation while keeping every turn tied to a seven-part fantasy narrative.
Dylan Meyer’s new film pairs a Ty Segall score with on-screen appearances and songs from Mannequin Pussy, Sheer Mag, and Tacocat.
The New York indie-pop trio’s first new track since 2024’s The Upside EP is a slow-building, meditative piece centered on Raavi Sita’s vocals.
