The Buenos Aires producer delivers eight tracks of active, shifting drone that draw from field recordings, processed instruments, and rhythmic undercurrents.
The Buenos Aires producer delivers eight tracks of active, shifting drone that draw from field recordings, processed instruments, and rhythmic undercurrents.
This year’s selections map the unsteady pulse of American listening, from house music’s underground origins to stadium-size pop.
The London avant-pop duo confirm a June 10 release for their first EP, alongside the track “HOLD ME (SLOWLY)” and a string of festival appearances.
The TDE rapper’s first project since 2021’s The House is Burning brings warmth and personal focus, with contributions from SZA and Dominic Fike.
The Austin band’s new single turns an instrumental demo into a deeply personal reflection on gender and memory, ahead of their debut album Maybe Luck.
Jon McClure’s band drops its first full-length since 2019, arriving after a six-year period of recalibration and renewed focus.
The Chili Peppers bassist brought his new jazz ensemble to New York, turning a Frank Ocean hit into something raw and ruminative.
A new look at Ice-T’s 1991 album argues it deserves more than a footnote in hip-hop history, reframing a record that arrived with clarity and control just before the rapper’s fame skewed public perception.
Over half of the UK’s small venues now operate at a loss. At The Great Escape, venue operators made clear that the sector’s survival hinges on collaboration and a levy on large spaces that remains largely unsigned.
The curated radio hour, airing Wednesdays at 7pm Pacific on channel 35, continues a tradition of deep selections under the rule of “only the good shit.”