The West Yorkshire band’s third album channels years of personal upheaval and a darkening political climate into their sharpest, most direct work yet.
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The West Yorkshire band’s third album channels years of personal upheaval and a darkening political climate into their sharpest, most direct work yet.
The woman whose name inspired one of modern rock’s most recognizable acts has died. Gretna Van Fleet was 95.
Directed by Joe Ward and set inside a narrow tunnel lit with clinical precision, the official video for “Blondie” arrived on May 15 as the first statement from Bladee’s new album, now released today on Trash Island.
After the maximalist sprawl of Cold Visions, Bladee returns with a single-producer statement that leans into emotional intensity and textural restraint. Sulfur Surfer, released today on Trash Island, finds the Swedish artist and longtime collaborator Whitearmor narrowing their shared palette into something darker, heavier and unusually cohesive.
The Toronto band’s third LP arrives August 14 via K Records, Perennial, and Kiwi Club, recorded in Detroit with producer Graham Walsh and a cast of fellow travelers.
Joel Shanahan closes a six-year gap in the Auscultation discography this June, with a dense and introverted full-length that ends on a moment of unexpected lightness.
Jacob Juno’s photographs from the Fillmore show offer an unsentimental document of three metalcore bands from different points in the genre’s timeline.
The reissue includes the previously unreleased “Knew Better Part Two” and arrives as Grande gears up for a new album and summer tour.
From predictive campaign engines to probabilistic suggestions on timing and targeting, AI now sits inside the everyday decisions that shape how music reaches listeners. For many independent artists the infrastructure has become a co-pilot. The issue is who writes its code.
The Rush bassist spoke about the wave of drummers who contacted him after Peart’s death, saying their timing missed the point entirely.
