The Australian songwriter invites audiences into his 40-acre American west coast farm as part of a collaborative project spanning music, film, and shows in Australia, Berlin, and London.
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The Australian songwriter invites audiences into his 40-acre American west coast farm as part of a collaborative project spanning music, film, and shows in Australia, Berlin, and London.
The Oklahoma City noise rock band lands between their first two albums, pairing punishing heft with sharper melody to map a world sleepwalking into disaster.
During a recent Spotify Music Studios appearance, Kelela performed a string-quartet version of an Incubus deep cut, placing her club-rooted sound against an unexpected reference point.
Across two days at Clifton Downs, the Bristol festival paired global headliners with a clear commitment to the city’s own scenes.
The 1940s Gretsch Synchromatic 160 from George Michael’s “Faith” video will be sold at Sworders on October 29, with an estimate above £100,000.
The band’s latest single arrives after a Bermondsey pop-up, a Wembley headline before a debut album, and a torn ACL—each step seemingly out of order, yet working.
The obvious tells are fading, but texture still gives machine-made music away.
On talkSPORT, Noel Gallagher joked around the edges of another tour, leaving Knebworth speculation intact without official confirmation.
The Cradle of Filth frontman explains how the band’s cinematic extreme metal is built around a surprisingly minimal personal rig and file sharing across borders.
The Cyprus-based project of Aleph closes a two-year descent with three tracks that keep the wound in view. A conversation about the rooms built since 2024, the grain of the voice, and what happens when the fall finally points somewhere.
