During a residency at IRCAM, the ensemble found itself between a space of innovation and striking workers outside. Their album doesn’t romanticize struggle — it lets field recordings, strings, and fragmented poetry hold the tension.
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During a residency at IRCAM, the ensemble found itself between a space of innovation and striking workers outside. Their album doesn’t romanticize struggle — it lets field recordings, strings, and fragmented poetry hold the tension.
The Beirut composer’s new track reimagines a quiet Japanese recording myth and turns it into something lived, restrained, and deeply present.
The first-ever World Cup final halftime show packed Madonna, BTS, Shakira, a Muppet orchestra, and a seven-nation symphony into a breakneck segment that was as uneven as it was historic.
The live document of a sold-out stadium show arrives a day ahead of schedule, accompanied by an online event for fans.
The anonymous Irish-Cornish duo will play nine dates this autumn in support of ‘Summer Indoors (or outside wearing black)’.
On their eighth album, the Philadelphia band refine their songwriting with producer Will Yip, trading youthful angst for a sharper, more lived-in sound.
The Australian artist’s sixth LP bridges drum and bass, trip-hop, and dub-inflected new wave without straining for novelty.
Spain’s overtime victory capped the 2026 final, but the inaugural official halftime spectacle — and the Cure’s quick dismissal — stole some attention.
With little more than a name and a handful of tracks, the anonymous pair behind ‘Summer Indoors (or outside wearing black)’ are inviting curiosity without offering easy answers.
FIFA’s first-ever World Cup final halftime show threw together Madonna, BTS, Shakira, Justin Bieber, and more in a frantic 11-minute set that tried to be the Super Bowl but landed somewhere between a charity telethon and a fever dream.
Rombo Music Discovery
Opens Spotify — tap + to save it to your library.
