The cellist and composer returns with a record built from the friction between acoustic cello and electronic processing, featuring contributions from Basile3 and Matt Elliott.
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The cellist and composer returns with a record built from the friction between acoustic cello and electronic processing, featuring contributions from Basile3 and Matt Elliott.
The Melbourne songwriter joins a roster known for careful curation. His 2023 album gets a wider push alongside a run of UK shows.
The trio’s ninth record draws on research into irradiated birdlife near South Carolina’s Atomic City, fusing Appalachian strings with drone, field recordings, and the region’s poisoned beauty.
The plugin replicates the 1982 Memorymoog with its tuning quirks and raw overdrive intact, adding expanded polyphony and a modern modulation system.
The Song Exploder host ended a long creative silence with In the Last Hour of Light, stepping back into the artist role that his podcast so often dissects in others.
With “Talisman”, released 22 May 2026, the Athens songwriter turns emotional exhaustion into something deceptively bright. Bright, propulsive indie rock carries the weight of surrender without ever letting it break the surface.
With “Talisman”, the Athens-based songwriter leans fully into the contradiction that has come to define his music: bright, summery momentum wrapped around a core of quiet collapse. Released 22 May 2026, the track refuses easy catharsis. Instead it lets illusion fray slowly, one repeated reassurance at a time. Ahead of what appears to be his …
Linda Perry says she lost six months of work after Green Day’s frontman stopped returning her calls, blaming fan backlash and Courtney Love for the collapse of a planned collaboration on what became 21st Century Breakdown.
The Melbourne band ended a six-year silence with a self-released album that sharpens their oblique brand of rock ‘n’ roll.
The reissue arrives August 14 via Pure Noise Records, with an acoustic version of “Lead Feet” out today.
