The pop singer closes the U.S. leg of “The Eternal Sunshine Tour” with three nights in Chicago, just days after releasing her eighth album, *petal*.
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The pop singer closes the U.S. leg of “The Eternal Sunshine Tour” with three nights in Chicago, just days after releasing her eighth album, *petal*.
The singer’s “You Seem Pretty Sad For a Girl So in Love” follows a relationship from start to finish, trading pop-punk hooks for introspection and a cameo from The Cure’s Robert Smith.
The pianist’s fifth album as leader applies episodic composition to a close-knit quintet, prioritizing equilibrium over virtuosity.
After a bicycle accident shattered her elbow and delayed recording, Sadie Dupuis completes a set of 14 one-minute songs that began as a daily writing challenge during a period of personal crisis.
Drone footage of the Athens concert captures a band still weaponizing absurdity, decades after nu-metal’s peak.
The mathcore band’s anniversary run with original vocalist Dimitri Minakakis ends this fall, capped by a cruise alongside Lamb of God, GWAR, and others.
The bassist and primary lyricist for Black Sabbath discusses his accidental path to the instrument, the bleak themes that defined a genre, and why his anti-war songs remain current.
The singer reworked his solo catalogue with an orchestra and gospel choir, covering Simon & Garfunkel and speaking candidly about not reading music.
The move ends a period of uncertainty around official Dimebag instruments and centralizes future releases under the artist’s own estate.
The Perth band recorded together in one room, trying to bottle the energy they harness on stage. The result is tighter, wider, and unafraid to step sideways.
