Mark Oliver Everett announces the sixteenth EELS studio album, pairing a worn-down lead single with a philosophy borrowed from Cookie Monster.
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Mark Oliver Everett announces the sixteenth EELS studio album, pairing a worn-down lead single with a philosophy borrowed from Cookie Monster.
All 45 arena dates have sold out, marking a decisive shift in scale for an artist returning to solo headlining after three years.
As the band prepares to release ‘Foreign Tongues’ with guests including Paul McCartney and Robert Smith, Jagger reflects on the unlikely legacy of a 1960s hit.
Two label dynasties that once competed for Southern rap supremacy will share a bill for the first time on a 17-date U.S. arena tour this fall.
The documentary gathers firsthand accounts of a scene that shaped political punk, while a former teenage participant recounts facing skinhead violence and the influence of Maximum Rocknroll.
Rati Oniani’s new album doubles as a soundtrack to a documentary about his grandfather, weaving Svaneti folklore and progressive experimentation into an archive of personal memory.
The Los Angeles electro-punk trio confront political decay, inflation, and desensitization on their second LP, out June 27 via Fall Down Laughing Records.
The annual benefit closed with an all-star jam featuring Lita Ford, Vinny Appice, and other artists.
The Music of My Soul draws on a rare 2014 interview to examine how tragedy and addiction forged one of rock’s most unmistakable voices.
Pavel Ukolov’s latest as Morphtables blends braindance precision and downtempo warmth across 14 tracks that recall classic electronics without falling into revivalism.
