Jack Harlow will release Sweet Action II, a seven-track EP and the direct sequel to his 2020 breakthrough Sweet Action, this Friday, November 6, via Atlantic Records. The project includes a guest appearance from Babyface on its second track, “TOO SOON.”

The tracklist runs “SIGNORA,” “SHE GETS ME,” “610 MAGNOLIA,” “HOLD BACK,” “PRESSURE,” and “MOVE ON,” with “TOO SOON” sequenced second. According to the announcement, the EP revisits the energy of the original through a more candid lens, tracing the friction of modern romance from attraction and lingering attachment to jealousy and commitment. Harlow, the announcement says, sets conversational storytelling against introspective vulnerability across the seven cuts.

The cover photograph was shot by Urban Wyatt. Sweet Action II is Harlow’s second musical offering of 2026, following his full-length album released in March. That album, Monica, was an R&B record, and ROMBO’s earlier coverage noted the tour dates that accompanied it.

Six years is a long gap for a sequel, and the title invites a comparison the music will have to answer. The 2020 Sweet Action arrived when Harlow was still a rising Louisville rapper; since then he has moved through fashion, released a candid full-length, and shifted his sound more than once. Revisiting the EP that helped make his name suggests a look back at a formative moment, filtered through what he has learned since.

The Babyface credit is the detail worth holding. Babyface built a career on the slow, precise language of R&B romance, and Harlow’s recent work has moved toward that territory. Placing the elder songwriter on the second track, early enough to set the tone, points to a record that wants its emotional register taken seriously. Listen for how the two voices share “TOO SOON”: whether Babyface’s smooth delivery softens Harlow’s conversational edge or the track keeps them in separate lanes.

The EP arrives with a streaming player below this story, where the seven tracks will land on Friday. For now, the tracklist and the cover, shot by Wyatt, are the available evidence. The rest is a matter of what the music does with the title it chose.