The North London songwriter’s upcoming EP draws from early-2000s R&B while keeping a focused, self-authored edge.
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The North London songwriter’s upcoming EP draws from early-2000s R&B while keeping a focused, self-authored edge.
A jury found the singer and his company negligent after a 2020 incident at his Los Angeles home left a housekeeper with catastrophic injuries and ended her career.
The new duet pairs Lacy’s admission of infidelity with SZA’s weariness of emotional exposure, arriving ahead of his July album Oh Yeah?
The Los Angeles musician’s second release turns personal wreckage into a stripped-down, soulful battle cry that channels ’80s quiet storm and classic R&B.
The Parkwood/Columbia mixtape sands down the edges of two recent creative detours, trading reinvention for a sharper focus on R&B fundamentals.
The bedroom-pop singer’s third album arrives with a 29-date North American run that moves him from festival stages to marquee rooms like Radio City Music Hall and the Greek Theatre.
The R&B singer and Universal Music Group reached a settlement in principle with lyricist Steve Chokpelle, who alleged he was denied credit and compensation for two hit songs.
On Track Star, Lopez recounted being advised to change “Feelin’ So Good” because it echoed Houston’s “It’s Not Right But It’s Okay.” She stuck with the song and praised Houston as an unmatched vocalist.
After a debut that landed with real impact, the Liverpool-based soul singer sharpens his songwriting on a record that balances Motown roots with a contemporary edge.
After the breakout success of “Nasty” and “No Broke Boys,” Tinashe addresses the spotlight directly on a playful dance track produced by Kimj and Zack Sekoff.
