The Northampton/Milton Keynes four-piece sharpen their instrumental attack with new single “Maat Mons” ahead of a September release on grassroots label Vandalism Begins At Home.
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The Northampton/Milton Keynes four-piece sharpen their instrumental attack with new single “Maat Mons” ahead of a September release on grassroots label Vandalism Begins At Home.
The former Kamelot vocalist says he’s trying to capture the sound the band had while he was in it, marking his most direct nod to that era since leaving in 2011.
A one-take video captures the modular synth artist reshaping album material inside a 139-year-old building undergoing its own reconstruction.
The Naarm/Melbourne songwriter draws on bedroom production roots and Brisbane’s trip-hop scene for a five-track EP about first love and confusion.
In a new podcast, Boyd reveals no one from the Sam Mendes films contacted her or tour manager Chris O’Dell. The productions seem set on a version of the story that ignores living witnesses.
The rapper’s Brockwell Park headline set introduced her electronically-inclined EP to a massive crowd on the festival’s sweltering final day.
The latest installment of The Number Ones dismantles “Permission To Dance” as a pure commercial placeholder, raising uncomfortable questions about how the K-pop phenomenon’s chart history will be remembered.
The Missouri trio recorded their new album after hours in a Syracuse University studio. It arrives July 14 without a label, marking a hard-won independence.
The Bradford-born singer’s homecoming at AO Arena mixed his latest album Konnakol with older material, showcasing a voice that needs no studio help. He dedicated the night to his mother and left nostalgic reunions aside.
The modular composer opens Someone Special with a beat-driven record built on confrontation, just days before a Barbican concert that revisits her gentler past.
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