The eighth Ital Tek album strips back the process, building its textures from guitar, voice and ukulele rather than a preset library.
The eighth Ital Tek album strips back the process, building its textures from guitar, voice and ukulele rather than a preset library.
The second single from her June album is a vulnerable jealousy ballad that builds to a panic, with strings nodding to “Tonight, Tonight.”
Max Maryott’s new video skips the postcard version of California and lands somewhere lonelier, tracing a relationship worn thin by ambition and time.
Two SST labelmates trade songs from the early ’90s, reaching for deep cuts instead of the obvious swap.
The Midland native’s 15-track LP arrives amid a broader pivot toward traditional country, anchored by his own songwriting and contributions from Liz Rose, Chris Stapleton, and Jim Lauderdale.
Ahead of her August set at the UK festival, the Sister Sledge vocalist will answer reader questions for The Guardian.
The Glasgow show turned a familiar tension in her catalog into a cohesive live act, merging slick bandleading with genuine unruliness.
The Guatemalan cellist and the US guitarist built an album from file exchanges, finding an uncanny chemistry that sidesteps their usual lanes.
The singer steps back into view with a track written the day after the GRAMMYs, following an onstage collapse and a sold-out London show.
The Brooklyn pianist returns with a second 2025 album, steering a large ensemble through shifting, carefully structured waters.
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