The cover, captured during a visit to SiriusXM’s studios, resurfaces a song that has been part of the band’s world since at least 2017.
Menu
The cover, captured during a visit to SiriusXM’s studios, resurfaces a song that has been part of the band’s world since at least 2017.
bitknot arrives as a surprise, the Pittsburgh trio’s first as a three-piece and a deliberate move away from the indie promotion cycle.
The Brazilian-Norwegian artist brings her first new material since the Neve Azul EP, out now on her own True Node imprint.
Jack Antonoff’s fifth Bleachers album turns a phone setting into a lens for examining fame, friendship, and the spaces where private life meets public record.
The Swiss-Ecuadorian duo returns to their great-grandfather’s homeland for an album that trades desert landscapes for Andean peaks.
On The Questlove Show, Cross explained how a live cover of Paul McCartney’s “Nineteen Hundred and Eighty Five” gave him the song’s signature turnaround. He also talked about taking the guitar solo himself.
In his first British appearance since the end of Beastie Boys, Mike D debuted material from a forthcoming solo album at the King Street Social Club, backed by a band that includes his sons.
The Brainfeeder boss revives his rap alias for a new single that lands on the soundtrack to Lionsgate film The Furious, with production from Little Snake.
The Vermont producer and Big Net member steps forward with a personal full-length, arriving July 2. New single “Hotel Bar” is out now.
The second single from her Mercury KX album a [time] patterned builds arpeggios into shifting shapes, with strings offering a fluid contrast.
