Produced again with Stuart Price, the 16-track album blends a continuous dance party with lyrical memories of New York’s underground—and a poignant comedown.
Produced again with Stuart Price, the 16-track album blends a continuous dance party with lyrical memories of New York’s underground—and a poignant comedown.
The Olivia Tremor Control’s debut turned the textures of a specific time and place into a sprawling psychedelic document. Three decades later, the record asks not only how it was made, but whether those conditions still exist.
In a new interview, the longtime Guns N’ Roses drummer counters rock’s most persistent reputation, describing a bandleader who looked after his people and led from the front.
The one-day event marks its first edition since 2022, moving into EartH on 3 October with two stages and tickets starting at £30.
The English songwriter assembles a direct, Neil Young-inspired set from home four-track tapes and studio work with producer Loren Humphrey, out September 4th.
The band’s first album in five years arrives alongside ‘The Mastodon in the Room’, a short film addressing the departure of founding guitarist Brent Hinds.
A security incident outside the venue left thousands of fans unable to enter, delaying the start of the final show by hours.
Across thirteen tracks, the London producer prioritizes texture and dread over dancefloor momentum, building an album that feels more like a mapped territory than a straight club record.
The Brooklyn noise-rock mainstays return with a 79-minute double LP reuniting both former drummers, picking up a thread left dangling since 2011.
The follow-up to 2023’s acclaimed ‘Raven’ trades fluid dreamscapes for a colder, more grounded sound built around bedrooms, street corners, and electric guitar.
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