The UK outfit’s new album arrives August 14 via FO Records, threading dub rhythm and spoken word into a sharper deconstruction of trip-hop.
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The UK outfit’s new album arrives August 14 via FO Records, threading dub rhythm and spoken word into a sharper deconstruction of trip-hop.
The documentary covers Chicago’s punk scene from 1977 to 1984, looking at a period before hardcore became the defining mode. It treats the city as a distinct community rather than a regional footnote.
Brittany Howard explains how a fundraiser in Tuscaloosa brought the band back together and why the new album resists easy consolation.
A minor foot injury means Grande will perform her final two London shows in flat, comfortable footwear. The adjustment arrives as the singer prepares to step back from public life after the tour ends.
Closing arguments pitted circumstantial evidence of South Side Compton Crips retaliation against defense claims that Davis lied for years to police and media.
The country single has passed the 19-week mark shared by Shaboozey and Lil Nas X, trailing only Mariah Carey’s holiday perennial.
The composer’s two-and-a-half-hour album for organ and ensemble, out on her Late Music imprint under Warp Records, examines friction between sustained tones and microtonal shifts.
The Icelandic producer returns with an album that continues the layered electronic language established on Magrathea and Elysium.
A Hollywood cemetery hosted a 20-song Ramones tribute with Tim Armstrong, Billie Joe Armstrong, CJ Ramone, Travis Barker, Fred Armisen, and the Linda Lindas.
London label Arkada returns with a six-track split that treats electro as live circuitry rather than archive material.
