The band adds two standalone US dates around festival appearances, with pre-sale access opening August 25.
Menu
The band adds two standalone US dates around festival appearances, with pre-sale access opening August 25.
The K-pop group returns with a new project that prioritizes sonic evolution over narrative complexity.
Giuseppe Ielasi and Fabio Perletta build eight untitled pieces from sparse guitar dyads and granular electronics, with Giulia Bruno’s photographs adding a parallel visual rhythm.
The industrial metal band pairs guttural vocals and carnival synths with an AI-generated video that leaves no doubt about its subject.
Nicolas Ladoux returns to his IKKo moniker with a five-track release that understands EBM’s physical demands and post-punk’s brittle spirit.
The Stray Cats frontman discusses the year of treatment that restored his ability to play and the band’s first new music in six years.
The Tampa straight-edge band follows last year’s Artillery From Heaven with two new songs and a pair of Swarm covers.
The Walsall singer’s third studio album commits fully to UK garage, grime, and house, building on a decade of electronic collaborations.
John Hogarty’s National Park collects rare singles and new home recordings, drawing on Velvets-inspired guitar dirges connected to Glasgow’s guitar-pop underground.
Asked to name a reggaeton Mount Rushmore, Young Miko listed a generational span from Tego Calderón to Bad Bunny — then declined to cut it down.
