The Australian technical death metal band sets a July 17 release date and offers a first track that underlines its disciplined, riff-driven approach.
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The Australian technical death metal band sets a July 17 release date and offers a first track that underlines its disciplined, riff-driven approach.
In a recent demo walkthrough, John Mayer admitted his signature software is already in released tracks — he just sees no reason to point them out. The remark quietly recasts the guitarist’s relationship with digital tools.
After a lightning storm forced the festival to evacuate, the 12-piece group came back with material from Future Soul and later shared stories from decades on the road.
The America co-founder discusses his first solo album since stepping away from the road, the Beatles cover that brought in Graham Nash, and why he still writes ten songs to keep two.
The singer’s first independent album retreats to the same commercial dance-pop that defined her major-label years, despite promises of artistic freedom.
A new essay from the Matchbox Twenty frontman reveals the moment Carlos Santana and Clive Davis chose his demo voice over bigger names, and what that says about the late executive’s instinct-driven A&R.
The deal includes compositions by Taylor Swift, Ariana Grande, and The Weeknd, among others, in a reported low-nine-figure acquisition.
The collection unearths unreleased material and compilation-only tracks from the turn of the millennium, capturing Caural’s formative blend of instrumental hip-hop and left-field electronics.
The short-lived supergroup’s prolific period will finally surface in remixed form, years after disbanding, with Corgan splitting the material into separate releases.
The Nashville heavy shoegaze band sharpens its atmospheric sludge into a patient, controlled single ahead of I Know What I Saw, out July 24 via Profound Lore.
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