San Francisco’s independent festival drew a stacked lineup, but the weekend’s most compelling moments came from surprise collaborations and Charli XCX’s second full show of her Music, Fashion, Film era.
Menu
San Francisco’s independent festival drew a stacked lineup, but the weekend’s most compelling moments came from surprise collaborations and Charli XCX’s second full show of her Music, Fashion, Film era.
After the sprawling multimedia concept of The Mandrake Project, the Iron Maiden frontman returns to a stripped-back, standalone heavy record produced by Brendan Duffey.
The song logs a 17th week at No. 1, surpassing Wallen’s 16-week run with “Last Night,” as country music continues its chart reign.
Taja Cheek’s latest album as L’Rain is a meticulously random collage that rewards attention, not patience.
Key albums from Bob Marley, Gregory Isaacs, and The Scientist remain absent from the major platforms, exposing the genre’s archival fragility.
The five-track project arrives two years after ‘Cosmic’, with JOY taking sole lyricist credits on two songs.
Jeff McIlwain’s tenth Lusine album pulls back from song structures to foreground motion, texture, and the kind of ambient music that demands attention.
The Colombian artist looks back on a long, deliberate rise, while his latest work with Ryan Castro affirms a commitment to nurturing new voices.
The Long Beach rapper adds an intimate headline date following his appearance at All Points East this summer.
The Chicago trio and Basque musician Elena Setién share a meditative new track drawn from an Emily Dickinson poem, ahead of their collaborative album on Thrill Jockey.
