The Reykjavík festival adds another wave of artists, blending international names with Icelandic mainstays for its November edition.
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The Reykjavík festival adds another wave of artists, blending international names with Icelandic mainstays for its November edition.
A decade after its release, the deliberate violence and sudden gentleness of Jon Hopkins’ Immunity remain a masterclass in electronic production and emotional sequencing.
The former Police drummer describes a functional personal relationship as legal proceedings continue over unpaid royalties, while he moves fully into non-commercial music and a spoken-word tour.
The UK alt-pop artist sets an independent release date for his first full-length, while new single “Get The Time Back” urges presence in the moment.
The former Enhypen member begins reintroducing himself on his own terms with a two-track project shaped by rock and a push for unfiltered expression.
A Plugin Week 2026 guide demonstrates that the chopped reverb of The Prodigy and the aggressive dubstep bass of Skrillex can be crafted using only Logic Pro’s built-in effects and synths.
A strange video of the Anthrax and Megadeth bassists riffing on death surfaces while Anthrax tours with a temporary drummer.
You Seem Pretty Sad for a Girl So in Love debuts with 485,000 units, topping Drake and securing the year’s largest sales frame for a solo artist.
The Los Angeles musician’s second release turns personal wreckage into a stripped-down, soulful battle cry that channels ’80s quiet storm and classic R&B.
The Vancouver band’s debut album, co-written by bassist Gabe Jacob Ferman before his death in January, stands as a stark, unaltered tribute to a late member’s artistry.
Rombo Music Discovery
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