During Game 4 of the NBA Finals, the Staten Island group turned Madison Square Garden into a rally, with Method Man closing the set with a blunt “Knicks in 5.”
During Game 4 of the NBA Finals, the Staten Island group turned Madison Square Garden into a rally, with Method Man closing the set with a blunt “Knicks in 5.”
The band’s latest pushes further into progressive rock, folding synthesizers and alt-rock melodicism into a tighter, more disciplined set.
The bedroom-pop singer’s third album arrives with a 29-date North American run that moves him from festival stages to marquee rooms like Radio City Music Hall and the Greek Theatre.
LE SSERAFIM, ILLIT, and KATSEYE transform online harassment into a defiant, post-apocalyptic visual—racking up over a million views within two hours.
The Chicago band returns with a record shaped by refreshed songwriting dynamics and a first-time outside producer.
At a New Jersey benefit concert earlier this month, Bruce Springsteen performed “I Shall Be Released” for the first time in his career, a new page in a songbook of Dylan covers that stretches back over five decades.
After headlining Reggae Rise Up Arizona, the frontman reflects on 20 years of crowd connection and a debut single that still draws over 108 million streams.
Nux’s new flagship multi-effects unit brings Neural Amp Modeler compatibility to a rechargeable, stage-ready pedal — making thousands of free user-created amp captures instantly playable at a working-musician price.
The hard rock supergroup returns with the first track from their sophomore record, due July 31.
The Shibuya-kei outlier’s 1994 solo album operates within a narrow, self-imposed set of rules—cheerful melodies that lead somewhere darker, and electroacoustic play that never turns aimless.
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