On her second EP, the Swedish songwriter processes loss by learning to live alongside it. The results are direct and quietly assured.
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On her second EP, the Swedish songwriter processes loss by learning to live alongside it. The results are direct and quietly assured.
On their second album, Miss Grit turns inward and outward at once, constructing songs that feel like rooms you can inhabit.
Laurie Vincent steps out of SOFT PLAY’s noise and into something wider, lonelier, and more deliberate. His new project Big Truck debuts with a single that trades rage for distance.
Two of the underground’s most formidable drummers face off across a split album that highlights their differences more than their common ground.
Luvcat returns with a single that swaps gothic gloom for seaside dread, and it might be her sharpest turn yet.
British-Guinean singer Jamilah Barry returns with a single about circling back, not in defeat but with new eyes.
Ten years later, Beyoncé’s Lemonade remains a high-concept flex that redefined pop ambition, even as its cultural moment has cooled.
Jim Ghedi abandons pastoral folk for something darker and more menacing on his new single.
The nu-metal veterans break a four-year silence with a track that feels more like a strategic move than a creative statement.
The former Daft Punk member returns with a ballet score that trades electronic spectacle for physical precision.
