Ten years after Snow on Higher Ground, the Australian actor and songwriter builds a confession out of stacked voices and the smallest available word for mercy.
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Ten years after Snow on Higher Ground, the Australian actor and songwriter builds a confession out of stacked voices and the smallest available word for mercy.
The Scottish drummer-producer’s second single under his own name wants the floor to last longer than the clock will allow.
Three live songs from a Texas-raised Portland songwriter who moved houses, changed instruments, and kept the one piece of paper that still had his name on it.
The Swiss project takes a campfire song, keeps the same words, and sends them toward the floor. The Radio Edit wants one thing: more time inside a moment that cannot last.
On her second 2026 single, the England-based pop project treats a bad romance like confection science. The hook is funny. The craving is the point.
Written, recorded and produced alone in a Vienna home studio, the new single starts as a private hard day and then stands up like a wall that was always going to be there.
After a career that ran from Swiss rock stages to Hollywood guitar school and a late return through ambient lo-fi, the Thun producer treats September light as an instrument.
From Sedona, the German-American producer turns a four-minute 4/4 into a sealed room. The single holds its temperature. It also stays inside the loop it chooses.
Written with Damon Sharpe, Bonnie McKee and JHart, the single borrows the language of trophy rooms and applies it to the people who keep a pop singer standing.
Faroese composer and producer Benjamin Djurhuus spent a long stretch of his working life just off camera. He mixed, wrote, arranged, and helped other records find their shape. He grew up around church music, then moved through folk, pop, rock and jazz until production became the job. By 2019 that work had a public edge. …
