The Stockholm composer’s debut for Young is short, baroque, and bodily. Ten pieces, barely twenty-three minutes, and a rare colour pressed out of pressure.
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The Stockholm composer’s debut for Young is short, baroque, and bodily. Ten pieces, barely twenty-three minutes, and a rare colour pressed out of pressure.
The southern Italian studio project turn a plague-era burial measure into a portrait of love as internment, and the single holds that pressure without asking for a stage.
On You’ll Talk About It!, Lyons Lane builds a six-song argument between swagger and the wish to disappear.
Recovery is SUNDRAWN’s first statement as a band who thought they might never play again. Four tracks. Quiet that thickens. Then the weather arrives.
On her latest single, the Orange County songwriter treats “best friend” as a word that has been spent too many times, then takes it back.
The Sydney trio turn a fortune teller’s oldest crease into a late-night hook about wasted time, sharp photographs, and the strange work of seeing yourself from the outside.
The Stockholm songwriter puts Patroclus at the centre of a trip-hop single that treats myth as a garment you can wear until it starts to weigh the same as love.
A Matola producer works the Amapiano circuit from a home studio and turns a familiar club form into a long look at the people who smile while they look at their phones.
The Kyoto-born, Oslo-based composer’s seventh album treats electronic form as a votive object. Nine tracks hang where a wooden plaque would go.
Written in six days in the Czech capital and released on the artist’s birthday, Velvet turns monuments, Kafka, and a borrowed INXS line into a private love song with a public memory.
