On their third album, Motihari Brigade let music and songwriting work together. Steady grooves and deliberate repetition carry the weight of the record more than dramatic gestures.
On their third album, Motihari Brigade let music and songwriting work together. Steady grooves and deliberate repetition carry the weight of the record more than dramatic gestures.
The band’s tenth album, named after an unexplained 1977 radio transmission, pushes their arena-sized bombast further without rethinking the formula.
Terry Dammit did not arrive with a ready-made story. After years of bands that never quite held together and an early brush with major-label interest that collapsed, he has made a debut album that feels transmitted rather than explained. Evening Powerlines moves through electric guitars, acoustic textures, modular synth and art-rock structures with a restraint …
Dance Again is an album about choosing to stay present and useful even when you know that time does not wait and that nothing is guaranteed. It is music made by someone who has chosen clarity over urgency, and who has decided to keep offering steadiness to other people.
On their fourteenth album, The Black Keys turn to a set of covers and, in the process, recover something more valuable than novelty: touch, weight, and the friction that once made their music feel alive
The Chicago duo’s sophomore record, ‘Something Worth Waiting For’, sharpens their anthemic indie rock into a more focused and deliberate statement.
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