A Santa Monica singer who took an Air Force oath and a Berkeley seminar in the same season builds his debut around the moment a landing is refused.
Menu
A Santa Monica singer who took an Air Force oath and a Berkeley seminar in the same season builds his debut around the moment a landing is refused.
On their third album, Reaven treat freedom as something that only shows once the wall has been opened. The dark stays in the picture.
On You’ll Talk About It!, Lyons Lane builds a six-song argument between swagger and the wish to disappear.
Written in six days in the Czech capital and released on the artist’s birthday, Velvet turns monuments, Kafka, and a borrowed INXS line into a private love song with a public memory.
The four-track release, out November 13 via Nettwerk, turns from grief toward acceptance.
On his Seoul-made DIY album, Insub Yoon builds a long instrumental weather system and lets a voice arrive only after the landscape has done the speaking.
On Washed Away, Laji George uses the old quiet-loud rock engine to stay inside a memory that refuses to rinse out.
The band is framing the twentieth-anniversary collection as a fuller account of everything finished during the album’s recording, though release details remain thin.
On the Austin artist’s second album of 2026, carnival brass, industrial panic, and a stolen presidential warning become a private museum of unfinished hauntings.
The DIY pioneer behind Half Japanese and author of “How to Play Guitar” died Saturday, leaving a legacy that shaped lo-fi rock’s self-made ethos.
