On his second album Alex Moran turns the tension between memory and forward motion into ten songs that feel earned rather than performed.
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On his second album Alex Moran turns the tension between memory and forward motion into ten songs that feel earned rather than performed.
J Mascis gave himself Rick Rubin’s advice, tracking down the same 1970s Mesa Boogie amp from the band’s debut to fuel lead single “Several Got Away.”
The band’s tenth album, named after an unexplained 1977 radio transmission, pushes their arena-sized bombast further without rethinking the formula.
The band’s latest LP arrives August 21, co-produced with Klas Åhlund and Kenneth Blume, alongside a Wednesday-featuring duet that traces directly back to an older track’s unexpected second life.
The lead single from motko’s debut album home is a slow, heavy meditation on becoming closed off, bitter, and certain. It turns personal unease into enveloping alternative rock that refuses easy resolution.
The Hull band trade frantic post-punk for slide guitars, disco beats, and jangle pop—leaving listeners to piece together a record shaped by a coast-to-coast journey.
The band reconnects with The Reason producer Howard Benson on their first release in ten years.
The Los Angeles project led by Nick Anastasakis arrives with a limited edition 7-inch on June 16 that pairs two tracks built around the same conviction. Time is not to be managed or measured. It is to be met with presence and intention. The A side offers a reminder. The B side delivers a push. …
The British band’s first album in nearly a decade leans into relentless energy, with frontwoman Becca Bottomley and guitarist Jack Bottomley now married and co-writing.
Forty years after emerging from Boston’s club circuit, Pixies took the Royal Albert Hall stage with the same blunt efficiency that shaped their legacy, as new bassist Emma Richardson stepped comfortably into a role long defined by Kim Deal.
