Travis D. Johnson’s latest under the datewithdeath alias moves through fractured rhythms, home-computing nostalgia, and abstract drone, landing in the long-running experimental electronics catalog of Poverty Electronics.
Menu
Travis D. Johnson’s latest under the datewithdeath alias moves through fractured rhythms, home-computing nostalgia, and abstract drone, landing in the long-running experimental electronics catalog of Poverty Electronics.
The first collaboration between ambient composer David Helpling and jazz-trained pianist Scott Reich yields music that feels less like arrival and more like a reminder of what already surrounds us.
The Ored Recordings artist reconfigures archival Circassian song into a ghostly ambient language, while a second compilation imagines a hidden underground.
The Amsterdam-Berlin duo returns with an eight-minute mini-EP that balances cinematic detail with sparse, drifting atmospheres.
Sound therapy originator Steven Halpern and multi-instrumentalist Jorge Alfano release their debut collaborative album, pairing Halpern’s electric piano with Shakuhachi and Bansuri flutes in a full 432 Hz setting.
Across four succinct pieces, the Tokyo-based composer uses the sounds of storms, lawnmowers, migrating geese, and winter fires to trace the calendar’s moods, with help from Ayako Fujii and Dan West.
Over four decades after its release, Virginia Astley’s pastoral blend of piano and field recordings still conjures the English countryside at half speed.
The 2007 album, shaped by the band’s visit to the disaster site, gets a physical reissue through Warsaw label Rope Worm.
The remote collaboration collects sound memories from London, Japan, and New Zealand, then pairs them with a custom fragrance to anchor a quiet meditation on travel and environmental loss.
After a decade-plus absence, the Scottish duo returns with a piece that unfolds less like a rave track than a philosophical sci-fi novel’s discursive backroads.
