John Wohlmacher’s new essay series for Beats Per Minute digs into the “best since Scary Monsters” narrative that followed Bowie after 1980, starting with a focused look at the 1983 album.
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John Wohlmacher’s new essay series for Beats Per Minute digs into the “best since Scary Monsters” narrative that followed Bowie after 1980, starting with a focused look at the 1983 album.
