The Scottish duo returns from a 13-year silence with an album that trades nuclear dread for occult damnation, debuted at a Manhattan church listening session that drew lines around the block.
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The Scottish duo returns from a 13-year silence with an album that trades nuclear dread for occult damnation, debuted at a Manhattan church listening session that drew lines around the block.
After a decade-plus absence, the Scottish duo returns with a piece that unfolds less like a rave track than a philosophical sci-fi novel’s discursive backroads.
The latest edition of Beats Per Minute’s monthly playlist leans into returns, reinvention, and edges of genre.
The electronic duo’s first album in over a decade shares more than a release date with Kane Parsons’ liminal horror film.
Three acts with distinct histories resurface in a week heavy on long-awaited releases, with Paul McCartney also joining the fray.
The duo’s first album since 2013’s Tomorrow’s Harvest arrived via a cryptic campaign and global listening sessions. It confronts the fire of the present through a darker, more direct sound.
After 13 years of silence, Boards of Canada invited 300 listeners into Barnsdall Gallery Theatre for a first encounter with Inferno, a memory-soaked session that felt more like a long-lost transmission than an album preview.
The Warp release lands to a critical dismissal in The Guardian, which finds the Scottish duo’s ideas and execution equally lacking.
The latest installment of BrooklynVegan’s weekly playlist pulls from all corners, giving space to Charli XCX’s club-pop, the aching folk of Aldous Harding, and a career-first from Jawdropped.
The Scottish duo let fans hear their first album in over a decade a week early at sessions in seven cities, adding a rare in-person layer to a typically oblique release.
