The album’s first track summons the band’s full history — from early sludge to recent atmosphere — while pushing into new territory with a keyboard solo from their new member.
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The album’s first track summons the band’s full history — from early sludge to recent atmosphere — while pushing into new territory with a keyboard solo from their new member.
On “been thinking bout confession,” the former Giant Peach member shifts from guitar to a century-old piano and lets the songs bend, break, and whisper.
Two and a half years after Hackney Diamonds, the band returns with another Andrew Watt-produced set that refines a late-career formula without rewriting it.
The South London group returns October 2nd with a second album shaped by road life, heartbreak, and a Vegas wedding.
After a seven-year gap, the singer-songwriter details a project that began with creative paralysis during the pandemic and deepened through personal loss.
Frontman Fernando Ribeiro describes a deliberate turn toward internal darkness and self-acceptance, hinting at a break from past theatricality.
The Polish extreme metal band returns with the title track from their forthcoming full-length, paired with a new video.
Austel sheds the textures of her debut to reconnect with the sparser folk influences that first shaped her writing, resulting in a quietly self-possessed ten-track record.
The Boston band drops a new full-length and a lead single, marking another rapid turn in a prolific stretch.
The hard rock quartet returns with their eighth studio record, titled in numeric wordplay.
