A cryptic mailing campaign and a fictional alter ego shape an album rollout that steps away from standard pop tempo.
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A cryptic mailing campaign and a fictional alter ego shape an album rollout that steps away from standard pop tempo.
The run starts in December with multi-night stands across North America and a rotating cast of support acts.
After a wave of online outrage over her babydoll dresses, Olivia Rodrigo spoke on The New York Times’ Popcast about the dangerous double standards at play and the cultural sickness behind the backlash.
The three-track release finds the singer holding a relationship up to a harsh light, demanding clarity on two new songs while chipping away at her full-length debut.
The 13-track album, out June 12, separates into contrasting halves, one for love, one for what lingers after.
The 82-year-old showman recovers from a health scare, dismisses retirement rumors, and prepares to release a new project alongside upcoming live dates.
The pop songwriter revisits the VHS that started it, the tape-era warmth of a Faithless sample, and the song that’s now off limits.
The track arrives with a video set in a cardboard hospital, and the album is due June 12 via Geffen Records.
Three songwriters return with tracks that pull mainstream form in opposite directions, from fractured electronics to raw vocal confession.
The Glasgow show turned a familiar tension in her catalog into a cohesive live act, merging slick bandleading with genuine unruliness.
