After a near-15-year silence, Waits delivers a characteristically odd second 2026 release—co-written with his wife, animated by his son, and paired with a Massive Attack protest single for a benefit vinyl.
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After a near-15-year silence, Waits delivers a characteristically odd second 2026 release—co-written with his wife, animated by his son, and paired with a Massive Attack protest single for a benefit vinyl.
The former R.E.M. vocalist pairs a recitation of Max Ehrmann’s “Desiderata” with an instrumental of an unreleased song, continuing the slow reveal of his solo debut.
In conversation with A.G. Syjuco about solitude, domestic dread, family legacy and the intimate new EP that turns an unopened box into a profound meditation on presence.
A.G. Syjuco does not announce himself loudly. Under the name Black Leather Birds he has spent the last five years building a body of work that feels less like a catalogue of releases and more like a series of rooms you enter and do not entirely leave. Launched during the 2020 pandemic as a personal …
Five tracks of slow-building tension and literary unease. Black Leather Birds turns a sealed room and an ordinary cardboard box into a deeply human meditation on anxiety, presence and what we learn to live with.
The American composer trades processing-heavy electronics for untreated voice and analogue warmth on his new Shelter Press album.
Kate Nash releases a studio version of her cover of Sinéad O’Connor’s 1994 track, adding a new verse and tin whistle.
