The album, out today via Warp Records, features collaborations with PinkPantheress, A.K. Paul, and Fousheé, and finds Kelela pushing further past rigid categorisation.
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The album, out today via Warp Records, features collaborations with PinkPantheress, A.K. Paul, and Fousheé, and finds Kelela pushing further past rigid categorisation.
The new single arrives just before New Avatar, a record that trades electronic R&B for the shoegaze and grunge of her early D.C. days.
The Scottish duo returns from a 13-year silence with an album that trades nuclear dread for occult damnation, debuted at a Manhattan church listening session that drew lines around the block.
After a decade-plus absence, the Scottish duo returns with a piece that unfolds less like a rave track than a philosophical sci-fi novel’s discursive backroads.
After 13 years of silence, Boards of Canada invited 300 listeners into Barnsdall Gallery Theatre for a first encounter with Inferno, a memory-soaked session that felt more like a long-lost transmission than an album preview.
The Warp release lands to a critical dismissal in The Guardian, which finds the Scottish duo’s ideas and execution equally lacking.
Fire-Toolz makes her Warp debut with Lavender Networks, a ten-track album in which metal, glitch and ambient drift form one precise emotional transmission.
The longtime Warp act pares everything back on a new full-length that follows two 2024 mini-albums.
In the hushed afterglow of Tranquilizer, Oneohtrix Point Never exhales “Dim Stars / For Residue (Extended),” a double helix of microtonal drift and unstable intimacy via Warp Records.
The Scottish duo let fans hear their first album in over a decade a week early at sessions in seven cities, adding a rare in-person layer to a typically oblique release.
