The British songwriter’s forthcoming record draws on John Cale, Marc Jacobs, Martin Scorsese, and David Cronenberg to map the tensions between art, commerce, and working-class frustration.
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The British songwriter’s forthcoming record draws on John Cale, Marc Jacobs, Martin Scorsese, and David Cronenberg to map the tensions between art, commerce, and working-class frustration.
The Washington-raised singer pairs a jazz-laced pop arrangement with a visual that turns cosmetic procedures into horror.
The UK metalcore group’s latest release removes the clean contrasts that defined the early-2000s template, leaning instead into relentless heaviness and mid-2010s Renounced-inspired panic chords.
The close-knit group talk intuitive collaboration, the pull of London’s live circuit, and why they treat every recording as a private act.
Early on day one, a Filipino P-pop group brought something rare to the festival’s main stage: unpolished sincerity. Elsewhere, not everything landed.
The Eau Claire avant-rock group strips their sound down to its bruised essentials in a track that lasts barely over a minute.
The sprawling edition includes 52 unreleased tracks, remastered audio, and a note from Costello explaining why a golden anniversary felt “preposterous.”
On the day her debut single arrives, the songwriter who splits her time between El Paso and Burgundy turns a 3:35 AM moment of honesty into a public invitation. “I Want To See Your Fire” is out now and asks to be played loud.
In “Welcome to Your Life,” the songwriter behind “Everybody Wants to Rule the World” traces a path from family turmoil to stadium anthems, but his emotional remove remains intact.
The Chicago artist’s Tonight Show performance and interview framed the Coloring Book anniversary not as nostalgia, but as a cultural check-in point.
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