A London tribute to Jason Molina paired an archival slideshow with a collaborative set from Brown Horse and guests, showing how the late songwriter’s audience has expanded since his death.
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A London tribute to Jason Molina paired an archival slideshow with a collaborative set from Brown Horse and guests, showing how the late songwriter’s audience has expanded since his death.
Hardcore rarely crosses into major label territory. Haywire’s new single makes that move with a softer, anthemic sound.
The former Muncie Girls leader follows Lucky Now with a four-song EP on Tapete, arriving September 25.
The band’s seventh album aims for glimpses of joy, but too often settles into comfortable, mid-tempo territory that never fully ignites.
The indie emo band will split opening duties between Leisure Hour, Bad Luck, Liquid Mike, and Bugsy across a run that begins October 7 and closes November 24.
The latest preview from Pylon pairs a bright, layered arrangement with a lyric about the pull of nostalgia.
The Ecuadorian-Swiss duo use the mountain range as both landscape and memory on their Dan Auerbach-produced instrumental record, out September 25.
The Def Leppard guitarist says his January 2025 transplant did not take, and he is continuing treatment while remaining active with the band.
On her eighth album, Charli XCX uses fashion week, guitars, and self-aware apologies to dismantle the machinery of pop relevance.
The two producers turn fifteen years of intermittent exchange into a full-length record for Warp, out October 16.
