A rare moment this summer finds new work from foundational acts occupying the same conversation, each representing a distinct path through heavy music’s recent history.
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A rare moment this summer finds new work from foundational acts occupying the same conversation, each representing a distinct path through heavy music’s recent history.
After walking away from Republic Records and the production framework that defined her early career, Petras assembles a new set of collaborators on an album that finally sounds like it belongs to her.
Peet’s Coffee and SPIN are searching for a “Chief Playlist Officer” to shape the chain’s in-store afternoon soundtrack, awarding a trip to a major Chicago festival and real-world curation duties.
The New York duo’s August album gets reworked from the inside out, with a tracklist that doubles as a map of underground currents.
The fourth preview from the band’s upcoming album Hum draws on a miscarriage to reach a quiet clarity, with vocalist Austin Williams calling its release a “full-circle moment.”
Speaking on BBC Radio 2, Wood remembered the night at his Richmond home studio where the basic track came together with Mick Jagger, David Bowie, Willie Weeks, and Kenney Jones.
Jennifer Herrema’s trio returns with Bad Bunch, their first LP since 2014’s Electric Brick Wall, on a new label home.
The release collects ten tracks of noise and fractured electronics, mixed for binaural headphone listening.
In conversation with A.G. Syjuco about solitude, domestic dread, family legacy and the intimate new EP that turns an unopened box into a profound meditation on presence.
A.G. Syjuco does not announce himself loudly. Under the name Black Leather Birds he has spent the last five years building a body of work that feels less like a catalogue of releases and more like a series of rooms you enter and do not entirely leave. Launched during the 2020 pandemic as a personal …
