Sade Adu’s look has outlasted trends for four decades. It’s not about fashion. It’s about a refusal to perform.
Menu
Sade Adu’s look has outlasted trends for four decades. It’s not about fashion. It’s about a refusal to perform.
At Glasgow’s OVO Hydro, Olivia Dean proved that arena soul-pop can feel intimate without losing its power. The trick is knowing what not to overdo.
On their second album, Miss Grit turns inward and outward at once, constructing songs that feel like rooms you can inhabit.
Laurie Vincent steps out of SOFT PLAY’s noise and into something wider, lonelier, and more deliberate. His new project Big Truck debuts with a single that trades rage for distance.
LCD Soundsystem announced new summer shows with Feist and Victoryland, including a two-night run at Red Rocks, ahead of their Boston residency.
The Dutch composer turns personal loss and new life into an instrumental album that works through feeling rather than explanation.
During a Late Show appearance, Michael Stipe floated the idea of Billie Eilish playing a younger version of himself in a hypothetical R.E.M. biopic.
Two of the underground’s most formidable drummers face off across a split album that highlights their differences more than their common ground.
Luvcat returns with a single that swaps gothic gloom for seaside dread, and it might be her sharpest turn yet.
A portrait of the trumpeter and composer whose restless energy defines a career of constant reinvention.
Rombo Music Discovery
Opens Spotify — tap + to save it to your library.
