Returning to their hometown for a headline set, the band acknowledged Brighton’s role in their early years and played a new song, ‘Ballad Of So Long’.
Returning to their hometown for a headline set, the band acknowledged Brighton’s role in their early years and played a new song, ‘Ballad Of So Long’.
Two decades after ‘A Grand Don’t Come for Free’, Mike Skinner used Kirkstall Abbey’s ruins to stage a performance that blurred gig, play, and memory.
The shoegaze band announces an unexpected collaboration with the PC Music founder, rolled out through a telemarketer-themed teaser campaign.
Two decades after its release, Mike Haliechuk revisits the debut full-length that turned a scattershot collection of 7-inches into a deliberate statement of ambition and friction.
After more than ten years away, Faith No More will return to the stage in 2027 for a co-headlining run across Australia and New Zealand with System of a Down.
Renata Frana and Antonella Bianco build music as a space of listening, where dilruba, electronics, and field recordings circulate freely—suggesting geographies without claiming them.
On “Through The Slow Dusk,” the Seattle project fuses anarcho-punk urgency with industrial decay to confront climate breakdown and political paralysis—no comfort offered, no apologies made.
The experimental outfit releases a new album drawn from David Lynch’s debut film soundtrack, captured through live performances and memory.
On their third album, the Leeds band swaps electronics for a tighter rock sound while James Smith stretches his voice from rap to croon, exploring a world stripped of deeper meaning.
Putnam Avenue now carries the name ODB Jones Way, marking the block where the rapper’s grandmother still lives and a mural of his debut album has long watched over the neighborhood.
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