The South African singer’s second album refuses to chase the viral highs of “Water,” instead threading amapiano and pop into a record shaped by intention and identity.
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The South African singer’s second album refuses to chase the viral highs of “Water,” instead threading amapiano and pop into a record shaped by intention and identity.
The Los Angeles band sharpen their sound on the fifth single from ‘Loving and Losing’, arriving as Latitude Festival turns twenty with a lineup full of new energy.
The producer steps forward with “Jumpupw!nya,” featuring Tierra Whack and Leikeli47, while a legal dispute with Pharrell Williams continues to sharpen in the background.
The Bright Eyes frontman explains why today’s political absurdity resists the kind of polemical songwriting he practiced during the Bush years.
The masked singer shares a new track from his upcoming album Mule, a set that deepens his twisted country persona without overplaying the mystery.
The Dutch producer returns with the full band for a track that merges U2’s anthemic core with streamlined electronic production.
The techno producer performed a live score alongside Gerrard’s SPIRITS, a digital artwork that dissolves discarded ocean shoes into oil—a meeting of rhythm, repetition, and ecological decay.
The South African artist returns with a 14-track follow-up that reflects a more personal, club-informed evolution.
The Detroit songwriter emerges from a period of upheaval with a new single featuring Peter Buck and Mike Mills. Dancing Alone on the Concrete is due October 2 on Saddle Creek.
The instrumental trio returns with a meditative new track from their forthcoming Sargent House release.
Rombo Music Discovery
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