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34 stories on ROMBO
Paul McCartney performed “I Want to Hold Your Hand” live for the first time in 62 years during Taylor Swift and Travis Kelce’s Madison Square Garden reception, marking a rare return to a song he had never played solo.
Mick Jagger sought assurance from producer Andrew Watt that Paul McCartney was the right fit for a fast, overdriven track. McCartney nailed it in ten minutes.
The album’s streaming dominance keeps it at No. 1 while Paul McCartney and aespa arrive with sales-driven debuts.
A single session at Abbey Road in early 1970 produced a song that cut through the wreckage of The Beatles with something more urgent than nostalgia.
On The Questlove Show, Cross explained how a live cover of Paul McCartney’s “Nineteen Hundred and Eighty Five” gave him the song’s signature turnaround. He also talked about taking the guitar solo himself.
At 83, McCartney continues to choose his promo moments carefully. His stop at Chicken Shop Date, on the day of The Boys Of Dungeon Lane’s release, shows an instinct for deadpan that feels genuinely rooted in Beatles history.
Three acts with distinct histories resurface in a week heavy on long-awaited releases, with Paul McCartney also joining the fray.
A rehearsal recording of Prince playing The Long and Winding Road has reached Paul McCartney. But an old interview with Prince raises serious questions about whether the track should ever see release.
The last episode of The Late Show with Stephen Colbert ended with Paul McCartney switching off the lights at the venue where the Beatles made their U.S. television breakthrough in 1964.
The former Beatle performed a track from his upcoming album while Chad Smith’s resemblance to Will Ferrell turned the monologue into its own bit.
